I went over this in the piece I wrote about Over the Garden Wall and how the retrospective view it takes short-circuits the nostalgic mode and breaks through into something else. We … Zero History, with 2003's Pattern Recognition and 2007's Spook Country, form a "Bigend" or "Blue Ant" trilogy, after a character and his advertising company that recurs in each. I hated both. Not only that, but here it was delving deep into all those issues most concerning me as I watched the world take huge, breathless bounds forward around me. Our Privacy Notice has been updated to explain how we use cookies, which you accept by continuing to use this website. Browse other questions tagged william-gibson blue-ant-trilogy spook-country or ask your own question. The Blue Ant Trilogy. A madness. One of my favorite ideas that we've played with here on this website is the relationship between Camp, the Uncanny, and the Unheimlich. The whole mystery is opened up by the fact that Nora managed to steganographically encode the image of a Claymore Mine’s arming mechanism into the Footage — the exact piece of shrapnel lodged forever into her brain. I envied his immersion in the thick of things, and admired his foresight. And from where they are, the past behind us will look nothing at all like the past we imagine behind us now. And here I come back to Blue Ant, to Hubertus Bigend, if he’s not the best allegory and satirisation of big business I don’t know what is, a charismatic figure whose life’s work is to be on the razor’s edge of what’s hot next, so he can make sure someone somewhere is the first to sell it. Go on Google to search a thing and it will follow you everywhere, a virtual ghost of persuasion. To be fair, the original version of the Michelin Man was horrifying. It's just my sense of the subtext of the character: he's bullshitting himself, at the same time as he's bullshitting all o… Gibson and I got off on the wrong foot. Sign up. Pattern Recognition (Blue Ant Trilogy 01) / Gibson, William / ISBN 0425198685 (1 copy separate) Mønstergenkendelse / Gibson (1 copy separate) Pattern Recognition (Bigend/Blue Ant Trilogy, Book 1) / Gibson, William / ISBN 140255690X (1 copy separate) Reconhecimento de Padrões / Gibson, William / ISBN 8576570068 / Manual Entry (1 copy separate) Lewis’. To my mind, it's very much like what I described when I talked about the Epistemic Crisis: the world is reduced to a swirling chaos and the real begins to peek through the realism of the moment. William Gibson is a prophet and a satirist, a black comedian and an outstanding architect of cool. She haunts Twitter as @RenWarom, and can be found on her YouTube channel talking about mental health issues and, of course, books. Spook Country is the second novel in the Blue Ant trilogy - read Pattern Recognition and Zero History for more. . Readers of Neal Stephenson, Ray Bradbury and Iain M. Banks will love this book. From the first time I encountered it, the internet grew in massive leaps, twining its way into everyday life until it was indispensable, and at that point, even if I still wasn’t much taken with his Sprawl trilogy (though I hadn’t re-read them), I at least had this underlying thought that Gibson had fixated on a thing before it happened and wasn’t that kind of cool really? William Gibson is a prophet and a satirist, a black comedian and an outstanding architect of cool. I was in my teens, and stole it from my sister to read, along with Count Zero. We are not allowed to display external PDFs yet. Blue Ant Series William Gibson. In his day job, Bobby is a trouble-shooter for military navigation equipment. It extends the Baudrillardian issues of simulacra and simulation, but it moves beyond the Nostalgic Mode that Jameson said that Post-Modernity would continue to operate within, and in the end it's just us, crash-landed in the desert of the real, trying to make sense of the whole damned thing. Will try to sell you something it thinks, in its addled algorithmic brain, might be connected. ends in 7 … All the New Horror and Genre-Bending Books Arriving in April! This novel, which I have read more than I've read the other two, is an intimation of a sort of hypermodern or metamodern or transmodern fiction – whatever we're referring to the period after post-modernism as. Ive been giving it a lot of thought.I got hooked on William Gibson starting with Neuromancer all the way through his Bridge and Sprawl trilogies, and now what is loosely referred to as the Blue Ant Trilogy (which is sometimes referred to as the Bigend Trilogy) consisting of … These books understand things that are opaque to other writers, because Gibson brings with him the baggage of the past without being constrained by the thinking of the past. One small step away from being able to take Gibson’s Second Life IRL, layering it over the parts of reality we no longer want to acknowledge, or completely deleting reality behind a wall of fantasy we never have to look over or around. Be careful what you want, rather than what you wish for. Functions in an algorithm of need, a matrix derived of our own insatiable hunger and curiosity. Our own need. My first encounter with Gibson was the third book in the Sprawl trilogy, Mona Lisa Overdrive. Must-Read Speculative Short Fiction: March 2021, Advertising for Burglars: Lord Dunsany’s “How Nuth Would Have Practised His Art Upon the Gnoles”, Calling Evil Good, and Good Evil: Spiritual Abuse in C.S. Ren Warom lives in the West Midlands with her three children, innumerable cats, a very friendly corn snake, and far, far too many books. None of us do. . Here was the world all around us, slightly stretched to future—not impossibly so, recognisably. These books, as I said, take place in an unmoored world. All the New Science Fiction Books Arriving in April! Just in case you didn’t know, we also have a Facebook fan page, which you can follow if you’d like regular updates and a bookshop where you can buy the books we review and reference (while supporting both us and a coalition of local bookshops all over the United States. After completing the Blue Ant trilogy, which takes place in the here-and-now-ish, The Peripheral strikes back out into not just one, but two futures. Click to share on Facebook (Opens in new window), Click to share on Twitter (Opens in new window), Click to share on Tumblr (Opens in new window), Click to share on Pinterest (Opens in new window), © 2021 Macmillan | All stories, art, and posts are the copyright of their respective authors, Recognizing a Familiar Future: William Gibson’s Blue Ant Trilogy, Five SF Stories That Embrace the Scientifically Improbable Reactionless Drive. William Gibson was born in the United States in 1948. I had, by this time, long since encountered the internet, which at first had been all picture hunting and weird American kids in chat rooms, who cloned your username to start flame wars to make you look bad, or who’d start to talk immediately in German if you tried to join their chat, and then became… everything really. essay: given that Gibson’s Blue Ant trilogy establishes conventional narrative/readerly sensibilities as compensatory gestures for interacting with our present, and that our protagonists in the series model have both a consciousness of this fact and an inability to change it, is the trilogy an inescapably Bobby Chombo is a producer working on cutting-edge art installations. Parables of warning about the ways we might be buried alive under our own greed. The latter … 1 Pattern Recognition (2003) by William Gibson also appeared as: Translation: Beeld voor Beeld [Dutch] (2003) Translation: Mustererkennung [German] (2004) Translation: Identification des schémas [French] (2004) Translation: Reconhecimento de padrões [Portuguese] (2004) Translation: L'accademia dei sogni [Italian] (2005) You will be redirected to the full text document in the repository in a few seconds, if not click here.click here. I was recently reminded by the Weird Studies episode on the topic, that I've already read the book in question. Yet, like the creator of the footage, Nora Volkova, we are locked into the past, reliving our traumas and building up artwork and systems of meaning around it, we have collapsed everything down, to the point where it is “only the wound, speaking wordlessly in the dark.”. The lead character Cayce (her name homophonous with Neuromancer's lead character “Case”) is the daughter of a cold war-era intelligence expert that went private in the nineties and disappeared on 9/11. Readers of Neal Stephenson, Ray Bradbury and Iain M. Banks will love this book. Familiar. Pattern Recognition by William Gibson is the first of a loose trilogy – called, alternatively, the Blue Ant or Bigend trilogy – that also includes Spook Country and Zero History. I have been mightily impressed and entertained by his writing so far that I have added all his works to my TBR mountain range. Zero History is the final novel in the Blue Ant trilogy - read Pattern Recognition and Spook Country for more. This is because Gibson essentially invented cyberpunk (discussed, briefly here), and thus basically invented the culture of the 1990s. They’re only subtly interlinked, so order wasn’t the issue, it was more perhaps that I felt that world was too distant. . I only had a basic computer for writing, and I wouldn’t encounter the internet until much later, and so the whole thing felt unreal. Send me an email if you want to read it) remain steady. He inches their plots toward each other, giving the reader some inklings but withholding the whole picture, and fills the dead air with endless dissociated descriptions of architecture, cultural detritus, technology etc around the characters. Latest Book in the Series. At one point, Cayce says: The future is there . Initial visibility: currently defaults to autocollapse To set this template's initial visibility, the |state= parameter may be used: |state=collapsed: {{William Gibson|state=collapsed}} to show the template collapsed, i.e., hidden apart from its title bar |state=expanded: {{William Gibson|state=expanded}} to show the template expanded, i.e., fully visible To withdraw your consent, see Your Choices. Trying to make sense of the fiction we will have become. Still, the experience of reading patterns into the swirling chaos of the world around us, experiencing flashes of grace and paranoia, is indeed the experience of our time, it is the thumbprint of our moment in history, when the ability to make a coherent narrative of the world has eroded. Series also known as:* Ciclo di Bigend [Italian] Pattern Recognition (Blue Ant, #1), Spook Country (Blue Ant, #2), and Zero History (Blue Ant, #3) No one, I would argue, was more well-positioned to analyze the aughts. William Gibson. And I think that’s the crux of it. I had no idea what such a thing would look like. Gibson is among the hardest of sci-fi writers, dealing … But there is no nature – the only rural setting was the site of an industrial disaster. Zero History was released in 2010, but was set in the summer of 2009. The Peripheral is also the first Gibson novel to take on the post-apocalyptic themes, at least overtly. With him at its core, the Blue Ant trilogy reads to me like a warning. It's an environment completely designed but designed by a myriad of unconnected agencies that all have different goals and values. William Gibson wrote his Blue Ant trilogy novels during the 2000s, the same decade in which the stories are set, marking a break with his earlier novels' more futuristic settings. Data in the machine. Please make a selection. In Pattern Recognition, we see characters behave in a way that seems to be the exact opposite of nostalgia: they seem to be intensely conscious of the fact that they live in a moment of history, something that feels uncanny to me from my place in 2019. Please enter a valid email address. Say what you may, with his Blue Ant trilogy (Pattern Recognition, 2003; Spook Country, 2007; Zero History, 2010), Gibson crossed that undefined line into high literature. Someone might be reading your subconscious. The Blue Ant Trilogy is some of his latest work and this is my second Gibson book. . ), History, personal, Analysis, Sincerity, Architecture, punk, The Nostalgia Trap, analysis, The Millennial Condition, generations, Time magazine, Al Gore, Steve Bannon. Spook Country was released in 2007, and was set in the summer of 2006. Pattern Recognition (2003), Spook Country (2007) and Zero History (2010) – collectively the Blue Ant trilogy – were set much closer to the present day than his seminal 1980s work. “It was as though Steve Bannon had announced himself a fan.” He also thinks that Cummings has either failed to understand his books, or “glanced through” them in a clumsy attempt to compare himself to Hubertus Bigend, the puppetmaster of Gibson’s Blue Ant trilogy. I spoke about apophenia on Monday, and that's exactly what the title of the first book means: Pattern Recognition, and as the book puts it: Homo sapiens is about pattern recognition . Gibson wrote two more books in the same setting, with some recurring characters. Her latest novel, Virology, is now available from Titan Books. Pattern Recognition presents a world that has been shorn from its moorings and set adrift on a stormy sea – there is a feeling of viral paranoia in play that would be recognizable but alien to hardened cold warriors. In 1972 he moved to Vancouver, Canada, after four years spent in Toronto. But I saw it everywhere and I understood it, and I felt the grasping fingers of that near future already wound inexorably into the present. Upcoming Events March 2021 Topic Challenge: Cornelia Funke. looking back at us. Readers of Neal Stephenson, Ray Bradbury and Iain M. Banks will love this book. My first encounter with Gibson was the third book in the Sprawl trilogy, Mona Lisa Overdrive. So maybe it is all fantasy Gibson writes, in as much as he’s describing our descent into it. I’ll keep an eye out for those, but even more than in the rest of the Blue Ant trilogy, Pattern Recognition makes me very interested in Agency, set for release in January 2020. In product creation focus groups. The plot doesn't concern this, but deals partially with her attempt to move past it (and her mother's inability to move past it, sinking deeper and deeper into obsession over Electronic Voice Phenomena.) And now all of us keep our subconscious online, a litany of our hopes, dreams and desires—available to be collated and used as marketing algorithms. The Blue Ant Trilogy—Pattern Recognition, Spook Country, and Zero History—is available from Berkley Publishing. I feel as though this is a hodge podge of other successful Gibson plot elements: All Tomorrow’s Parties sunglasses, Neuromancer’s AI, Blue Ant’s protagonist now named Verity whose uncanny sense is now for tech, the vaguely ominous but startlingly empathic and efficient characters from Peripheral all glued into a weak, superficial, fast narrative. Too broke. In short, it is a world with only history. And here, in a novel written specifically to circumvent the nostalgic mode, we have finally an articulation of the opposite mode. Both a gift and a trap. Nothing more than the reason that I remembered this book was there. That they would be the ones, these salvagers, who learned how to exploit technology rather than being eaten alive by it, even as it developed user interface so seamless and absorbing it could begin to blur that real/fantasy divide. The Devil Wears Prada meets James Bond. Zero History is the final novel in the Blue Ant trilogy - read Pattern Recognition and Spook Country for more. Instead of staring back at a glossy image of the past, we have a look forward into the abyss of the unknowable future, with the consciousness that someone will be looking back towards us, trying to remember what we did and imagine how we lived at this moment. A proliferation. In an interview Gibson says "I've always had a sense of Bigend as someone who presents himself as though he knows what's going on, but who in fact doesn't. There is never a situation where the information is unavailable to the characters, there are only situations where the signal is hidden by the noise. Gibson was “amused”, he says, but far from flattered. In Pattern Recognition and then in Spook Country and Zero History, Gibson also explores how fast tech might boil from brand new to obsolete. While you wouldn’t mistake him for a Lovecraft or Ligotti, he’s said how in writing the Blue Ant trilogy, he was recalibrating himself to the ways in which our current times (or the times when he wrote each book) were weird. We’re victims of our own consumerism. Burning Chrome (1986, preface by Bruce Sterling), collects Gibson's early short fiction, listed by original publication date: "Fragments of a Hologram Rose" (1977, UnEarth 3) "Johnny Mnemonic" (1981, Omni) Zero History (Blue Ant) Go to ... William Gibson . Viscerally. As for that reality/fantasy divide, look at us now, on the verge of the hyperreal. How, much like the Cubans keeping cars running from refashioned scraps of metal and hope, there would always be those waiting to rejig, rebuild and make use of that which the crowds at the cutting edge so readily and thoughtlessly discard. Gibson has most recently been praised for Pattern Recognition (2003), his first novel set in the present and the first in the Blue Ant trilogy which Zero History concludes. This article explores theories of home, homesickness, and identity instability as they occur in William Gibson’s Blue Ant trilogy, which consists of three novels: Pattern Recognition (2003), Spook Country (2007), and Zero History (2010). Pattern Recognition was released in 2003, and was set in the summer of 2002 – the events of September 11 form the backdrop for the plot, but are not center stage. Blue Ant trilogy (Hubertus Bigend): Pattern Recognition (2003) Spook Country (2007) Zero History (2010) The Peripheral (2014) Short stories. Gibson's early writings are generally near-future stories about the influences of cybernetics and cyberspace (computer-simulated reality) technology on the human species. When I read the Blue Ant trilogy, just as when I first read it, I feel that truth clear as the walls around me and I never know whether to be horrified or fascinated. William Gibson is a prophet and a satirist, a black comedian and an outstanding architect of cool. The third in his Blue Ant series, published in 2010, William Gibson’s Zero History is not really a part of a trilogy, the three books all being only loosely connected, and yet this is the one in which he most completely defines his subject. The world of Pattern Recognition, with its pervasive pressure of progress and cultural brand saturation, reflected both that particular time with almost painful accuracy, and looked into a near future of brand assimilation, the all-consuming eye of media culture we drown in actively used against us. I can’t remember how long after that I found and read Neuromancer, but I wasn’t massively taken with that either, except in terms of the writing, which I thought was incredible. His themes of hi-tech shanty towns, recorded or broadcast stimulus (later to be developed into the "sim-stim" package featured so heavily in Neuromancer), and dystopic intermingling of technology and humanity, are already evident in his first published short story, "Fragments of a Hologram Rose", in the Summer 1977 issue of Unearth. Unavoidable catastrophic cooption. In 2003, he essentially predicted Youtube – the plot centers around a series of videos released anonymously on the internet, and a diffuse but obsessive subculture that grew up around trying to dissect them and understand them. One of the most interesting things about the Blue Ant trilogy is the fact that there are almost no depictions of nature in it. Bigend is the antihero of Gibson's Pattern Recognition (2003), Spook Country (2007) and Zero History(2010). Be careful what you want, they’ll be saying. Perils of a lower middle class, low income upbringing, disconnection with the very connection that the rest of the world seemed to be getting into. If you enjoyed reading this, consider following our writing staff on Twitter, where you can find Cameron and Edgar. Blue Ant Book Series (3 Books) All Formats Kindle Edition From Book 1. All the other SF I read didn’t try and postulate the future as now in the way Gibson did (and does), and they certainly didn’t have his poetry on the whole. Hubertus Bigend is a fictional character appearing in the third trilogy of novels of science fiction and literary author William Gibson. I enjoyed it the most out of the Blue Ant trilogy because in most of his other books, the multiple protagonists are a crutch for his pacing. Me, I didn’t really have any of the shit Gibson talked about. Sign me up to get more news about Sci-Fi & Fantasy books. She is eventually hired by a jet-setting billionaire not for this quality, but for her fascination with the Footage, a mysterious series of films released on the internet that lack dialogue or plot, but possess just enough narrative tension to suggest some connection. So when I found Pattern Recognition I think I was ready to be convinced by him. There is digital technology, there is analog technology; there are public places, there are out of the way places; there are cities all over the globe. William Gibson seems to have understood that decades ago—and perhaps in the future, if we survive that long, we might take what he’s written as Aesop’s Fables of sorts. Gibson also began to adopt a realist style during this time, with continuous narratives — "speculative fiction of the very recent past. The internet was foreign to me. Each of these books was crafted to be specifically of a moment in history, yet they feel more timeless than many high literary books released at the time. 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