In Six Dances, it is clear that Jiri Kylian’s goal was… (Czech Republic), Present in collection(s): In 1980 Jiri Kylian created ‘Falling Angels’ a piece that was made based off of the roles of women in the 1980s and Kylian’s personal intent for this small section of works that is … Since then his creative focus has shifted to more small scale projects. Learn vocabulary, terms, and more with flashcards, games, and other study tools. Independent management and promotion of your work, Unlimited number of contributor account administrators. Guaranteed access to an exclusive video collection. Start studying Falling Angels - Jiri Kylian. First, the sweet folksy Evening Songs (1987) set to Dvorak’s live choral music, then Falling Angels (1989), whose eight female dancers ably executed Kylián’s thorny, precision choreography set to the syncopated sounds of Steve Reich’s Drumming, splendidly played live by four percussionists. John Singer Sargent, Portrait of Mlle Jourdain, 1889. Instinctively, we’d validate the fantasy that allows her to bear feelings of anger, jealousy or frustration. Une sélection de vidéo-danses mexicaines réalisée par le festival AGITE Y SIRVA (https://www.agiteysirva.com/). Then he left for the Stuttgart Ballet led by John Cranko, where he made his debut as a choreographer with Paradox for the Noverre Gesellschaft. Presentation of the Round’s figure in choreography. Are you sure you want to delete the playlist ? Almost three decades ago, Jiři Kylián used Steve Reich’s minimalist music score for his choreography Falling Angels of 1989. Ballet’s straight, sharp leg extensions coupled with the contracted body of the Graham technique has made the female body a particularly potent expressive tool for embodying dualism and conflict, and this has been powerfully exploited by Kylian. For all their foppish wigs, headless crinolines on wheels, swordplay and soap bubbles, there is a level of social comment without which they would not be Kylian but some other choreographer. But this story of a naughty child who rips up his books and refuses to do his homework, who sees furniture, objects and animals revolt against him and only escapes their wrath by making a gesture of kindness towards a squirrel, comes dangerously close to false naivety. For example, Falling Angels (1989), set to Part One of Steve Reich’s Drumming (1971), consists of one basic rhythmic pattern which is varied only in terms of phrase position, pitch, and timbre. In vain the Child, braving Teapot’s threats, tries to interrupt the duet. ), Jiri Kylian, Fallen Angel, Ballet de l’Opéra de Lyon. Jiri Kylian, L’Enfant et les Sortilèges, NDT 1984 (video part 4). Although the music by Steve Reich creates a very strict structure, at the same time it leaves much freedom for choreographic and emotional interpretation. The relationship between the music and the dance is fully represented in sections throughout the piece. Kylian began choreographing prolifically from 1970, occasionally working for Nederlands Dans Theater (NDT), a company that had come to the forefront of the contemporary dance revolution in Europe during the 1960s. As Clock returns to his grandfather casing, trombone and contrabassoon bring on Cup and Teapot to dance a foxtrot. In its early days its prime mover was Hans van Manen, whose choreography for the company drew on a wide range of composers including Stravinsky, Satie, Stockhausen and Cage. First part of the Parcours about dance in Quebec, these extracts present how bodies are being used in a very physical way. Video content is only available through streaming and is not downloadable As a contributor, only you have the tools to export and share your public and private content. They flash an angular figure of eight with a dreamlike flow of criss-crossing arms and legs. We both loved Ravel’s music, and we both detested Colette’s libretto. And yet, thanks to the transformative power of dance and the magic of the music, my senses were heightened, Lia was held spellbound, and you radiated a beauty that left all possibilities open. The piece is performed by eight women dancing to rhythmic drumming. Jiri Kylian, La Cathédrale engloutie, Introdans | Photo: Hans Gerritsen. Jiri Kylian is one of the greatest choreographers of our time. “Falling Angels,’’ to a Steve Reich’s throbbing “Drumming: Part 1,’’ is a rhythmic walk on the wild side for eight women. For the best experience of Numeridanse, we recommand you to use Mozilla Firefox. They contort on the beat and retreat a couple of steps, all in unison. His dancers are not presented as extraordinary performers to be physically admired for their virtuosity, but as expressive figures in a landscape or situation which has dramatic and social resonance. To do that, please visit your personnal account. Numeridanse.tv After an extraordinary record of service Kylián handed over the artistic leadership in 1999, but remained associated to the dance company as house choreographer until 2009. At Stuttgart Ballet Kylián started choreographing with Paradox (1970), Kommen und Gehen (1970), and continued in the Stuttgart Ballet's Noverre Kompanie with Incantations (1971), Einzelgänger (1972) and Blaue Haut (1974), among others. It was performed at the Spoleto festival in Charleston, North Carolina in 1978, and helped establish him … The great Balanchine himself took it on three times without ever being satisfied with the result. Jiri Kylian, As If Never Been, Nancy Euverink & Peter Delcoix. Examples are the male duet from La Cathédrale engloutie (1975) or passages of Torso (1975). Kylián's Falling Angels (1989, set to Steve Reich's Drumming) displays the same compositional muscle as Symphony, yet its sharply fractured variations are overlaid with a … It has become the custom to think of great choreographers as those who are particularly innovative with the language of movement, who have provided what can be called a new language for dance. Drumming is compelling because it is such a wildly inventive exploration of a single isolated and confined idea. That year he and Carel Birnie founded NDT 2, which was – and is – meant to offer young dancers the opportunity to develop their skills and talents. Undercurrents of folk rhythms run through the music and when they break out in the choreography, they momentarily add another dimension, taking away any sense of pre-Fall innocence from these otherwise joyous creatures. Staging: Roslyn Anderson Music production: Michael de Roo Costume design: Joke Visser Lighting design realisation: Joop Caboort Technical director for set and lighting: Joost Biegelaar Assistant choreographer SNG Maribor: Sergiu Moga in general, however, it could be said that Kylian’s vocabulary is informed by a basically modernist consciousness; certainly his vivid descriptive talent deals well with a range of human emotions and with a complexity that is unusual in ballet. Jiri Kylian. The costumes are uneven. NPS ; Arthaus Musik. The woman is manipulated by her partner into various contorted shapes and exaggerated extensions, or thrown into passages of forced abandon, her legs flying around his head like windmills. The strict beauty of the movement of arms and torsi is breathtaking. Jiri Kylian, L’Enfant et les Sortilèges, NDT 1984 (video part 2). Kylian Is a master of tension, providing potent, dramatic ballet, inventive and profound. FALLING ANGELS Choreography, concept, light design: Jiři Kylián Music: Steve Reich: Drumming I. This webdoc tells the story of this key work which inspired so many artists. Jiri Kylian, then, is perhaps something of a throwback to an earlier age, one that was less thirsty for the ‘new’ then now; For if Kylian has a claim to greatness, it is not so much as a starkly original formal innovator but as a master craftsman contributing to the overall evolution of his art. Yes, with Ingrid and Klaas visiting friends and Joost with his grandmother, we were parents to a fairytale daughter, and she was with us in flesh-and-blood. On May 29th, 1913, the first performance of Nijinski's "Rite of Spring" made such a scandal. How does choreographic works are testimonies of the world? You are contributing to the history of dance. Jiri Kylian, Petite mort, Ballet de l’Opéra de Lyon, Kylian’s moral consciousness and his intelligence are easily located within his work; he is accessible without being a popularist, and there is a depth to his ballets that makes them among the most rewarding to watch. The world-renowned choreographer Jiří Kylián (Czechoslovakia, 1947) has been artistic director and house choreographer for of Nederlands Dans Theater for more than thirty years. Above all else Kylian is a great humanist; he is not concerned with abstraction; he sites his ideas firmly within the human sphere. Things cannot feel and act: Lia knows better! Between these stripes, a series of heads appears and vanishes again, then a sequence of crossed arms. Just as you fix him in one rich interior, Kylian will undoubtedly show you another. Jiri Kylian was born on the 21st of March, … They look like a cross between the figures on an Egyptian frieze, in terms of their angular two-dimensional shapes and, with their red lipstick, fixed focus, strong projection and black swimsuits, something more Germanic — a Pina Bausch-style line-up with a touch of cabaret. Throughout his career Kylián created 75 choreographies for NDT. Set to Steve Reich’s extraordinary music and percussion, Kylián’s Falling Angels is a mesmerizing study for eight dancers, a powerful work of the highest order. Falling Angels begins with a group of dancers slowly walking towards the audience out of the darkness; they are all women. Théâtre de diffusion mais aussi pôle européen de créa. : It is simple but labyrinthian and so dominating in its power and density, so overwhelming an aural experience, that one might think it would leave no room for choreography. I cannot, therefore, hold it against Jiri Kylian for having failed to enchant us with his L’Enfant et les Sortilèges, even though his choreography is top-drawer. Do this dance style work for you? Jiri Kylian shapes an energetic, tumultuous action to it. On 24th May 1959, Tatsumi Hijikata portrayed the character of the "Man" in the first presentation of a play called Kinjiki (Forbidden Colours). When will adults finally see that ‘recreating the wondrous world of childhood’ is a vain pursuit? : If you continue to use this site we will assume that you consent to our use of cookies. Seven women follow the dominant line of … Certaines ont marqué le paysage chorégraphique entre 1980 et 1992, année de sa disparition. It would seem that this lyric fantasy by Ravel set to a libretto by Colette, first performed in 1925 by the Monte Carlo Opera, is one of those tantalizing banana peels that writers or musicians periodically toss onto the path of directors and choreographers. Only dance professionals can open PRO and PRO+ accounts and exhibit their content on the platform. When she leaves the stage with Teapot, the Child now regrets the loss of his beautiful teacup. This document is 30 Exchange Credits Purchase 30 Exchange Credits from USD $5.67 or share your own work to download for free. The label has been publishing records of operas, ballets, classical concerts, jazz, theater productions and selected documentaries on music and the arts for thirteen years. By default, the search engine returns results for all founded words. Recognizing the power of the older, experienced dancer, and the profound eloquence that can be the product of a career spent working with a wide range of choreographers, Kylian established NDT3 in 1991, giving a new lease of life to dancers whose career would normally have come to an end around the age of forty. During the 1978 Charleston Festival in the United States Kylián put NDT on the international map with Sinfonietta (Leoš Janácek). Kylian’s work often presents us with a potent dialogue between classical (and perhaps also Christian) ideals and the contorted angularity of modernism. : Jiri Kyllian, Sinfonietta, Les Ballets de Monte Carlo. Geaorge Van Breemen, Production / Coproduction of the video work : Kylian shows us otherwise. These works are an amusing romp through the music of the great composer but are intended as more than merry dances of bawds and cuckolds. Jiri Kylian’s 1989 choreography, ‘falling Angels’, the last piece to his black and white six-part series ballet, attempts to communicate the concerns surrounding gender roles and to convey they dominant theme of sexuality during the 1980’s. Their video collections are linked to your account and any upload will be submitted to you for validation. Falling Angels was a delight on both evenings; perhaps even more so with the second cast. The dancers plunge into the vortex of Steve Reich's music, whose repeated minimalistic rhythms accelerate steadily, developing a highly emphatic power. In terms of his choreography, Kylian’s morality, spirituality, and bouts of existentialism can seem rather old-fashioned today, though his work is none the weaker for that. If Tudor’s Dark Elegies is ballet’s Paradise Lost, then Kylian’s Sinfonietta (1978) is surely it’s Paradise Regained. Yet there are passages of his work where its tremendous physicality moves towards the starker terrain of a more brutal and violent eroticism, which has been explored more fully by choreographers such as Lloyd Newson and Michael Clark. JIRI KYLIAN After becoming fascinated by the circus at a very young age, Jiří Kylián was interested in acrobatics, leading to him joining the Prague National Theater School at the age of 9.Six years later he would be admitted to the Conservatory of the city and in 1967 he obtained a scholarship for the Royal Ballet School in London. Much more exciting is Mr. Kylian's imaginative treatment of Part 1 of Mr. Reich's "Drumming" in "Falling Angels." Presentation of how choreographers are revisiting Folklore in contemporary creations. Kylián received many prestigious, international awards and honours. Contrasting moments of dramatic stillness create a surreal sense of space, even in the midst of this frenzied drumming. I was your husband, you were my wife; we lived happily ever after, for an afternoon. The recordings come from opera houses such as La Scala, the Vienna State Opera, the Royal Opera House Covent Garden, the Opéra National de Paris and the Zurich Opera House. It was performed to drumming/percussion music based on ceremonial ritual music from Ghana (West Africa). Dominique Bagouet a créé plus de 45 pièces en 15 ans. : I don’t much like John Macfarlane’s décor, with its obligatory distorted perspectives (childhood again). The Ankoku Butoh was born. After having created three ballets for NDT ("Viewers", "Stoolgame" and "La Cathédrale Engloutie"), he became the company’s artistic director in 1975 together with Hans Knill. Cheese grater and whip introduce a touch of ragtime, then, as mezzo-soprano and tenor sing trilingual nonsense, the Chinese Teacup dances a chinoiserie. This thought-provoking choreographic constellation, conceived for eight female dancers, stems from tribal African impulses and depicts sacrifice every woman has to make in order to become a ballet dancer. In addition, however, Kylian’s work teams with references to folk dance, which can add another textual level to the dance, like old dialect breaking through the sophisticated, highly evolved, and constraining balletic language he has adopted an made his own. Exclusively for artists/companies, directors. all rights reserved. Ding, ding, ding: Trumpet triads in driving rhythms set loose Grandfather Clock’s cymbal-crashing dancer; curves counter angles in striking kinetic images while the rich baritone of Clock’s counterpart laments the days when he ‘told the hours, each like the other, in this changeless house’. Rencontre avec Charles Picq, réalisateur et vidéaste de la danse. And this deathly desire posited as a virtue by a writer who celebrates life! Jiří Kylián started his dance career at the age of nine, at the School of the National Ballet in Prague. I smile at ‘Professeur d’arithmétique, tique, tique’ and his big blackboard pierced by numbers, as I do at the amusing trio of frogs. Fallen Angels, for example, has been read as a profound examination of a struggling female psyche. The 1980s (the era in which Kylian choreographed Falling Angels), was a decade of flourishing feminism where women began to step into more powerful positions in all fields of endeavour, including business, politics, science, sport, the arts and entertainment. Lia herself found the Child silly and the Mother ‘much too heavy’. Jiři Kylián, Interpretation How could she, such a master in mining ambiguity, produce a tale so devoid of contradiction? You can create ‘guest contributor’ accounts so your staff can share the same tools as you. Kylian’s social and political consciousness, however, runs deeper than simple reversals of the norm. Hand slap, caress, cover, flick, move body parts, splay. Steve Reich, "Drumming Part I" (1970-71) - Circle percussion (Michael De Roo, Luuk Kagtegaal, Gijsbert Zwart et Arthur Cune), Production / Coproduction of the choreographic work To the uplifting brass opening of Janacek’s score, Kylian sets six men in tights and billowing shirts against a painted landscape. Mara, Marietta: A Love Story in 77 Bedrooms is available from these retailers: © 2021 – Richard Jonathan – All rights reserved |, CULTURE BLOG | LEGAL NOTICE | SITEMAP |. Jiří Kylián's pure and refined Evening Songs are set to Dvořák’s a cappella songs of the same name, and performed live by a choir. … and Petite mort (1991). This is Kylian at his most optimistic and life-affirming. A dance show is created in multiples steps between the enunciation of an initial desire which launch the project and the first representation. 1996, Choreographer(s) Explanation of the term « State of the body » when it’s about dance. To raise a child like that, would we be up to the task? A gentle flame, abiding and steadfast, the memory of that afternoon still glows in my heart. Highly imaginative, pertinent and While not directly religious, his works often embrace the kind of duality that is a part of Christian consciousness: a sense of the double possibility of elation and despair, agony and ecstasy, heaven and hell, sacred and profane, order and meaninglessness. long, bright stripes are drawn and held fast in the shadows of the darkened stage. In Kylian's view, the drums evoke dreams, and so he gives his imagination free rein in this piece. They are pious one minute, military another, but can then subvert it all with a fey lean to the side, hands draping diagonally across their bodies, or by flirtatiously pulling their swimsuits away from their flesh as if to taunt the audience. ARTHAUS MUSIK. Kylian’s normal métier is the non-narrative, dramatic ballet, though he has made ventures into other terrains such as narrative in L’Histoire du soldat (1986) and explorations of aboriginal rituals in Nomaden (1981), Stamping Ground (1983), and Dreamtime (1983). And you, my love, you who in your intimacy with the Queen of Sciences formalize space-time, are you too delighting in the destruction of the Clock? We use cookies to ensure that we give you the best experience on our website. Sice the rituals of the West Africans are always accompanied by dances, the choreography supplements this essential component to complete the piece of music. John Cranko, The Stuttgart Ballet, 1961-1973. Like many diverse choreographers working in ballet since the 1960s, Kylian uses the balletically trained body at its extremes. So linear, so flat, so singularly lacking in multi-layered meaning? After van Manen resigned as artistic director in 1970, the company entered a period of decline and it was Kylian who brought it back to international prominence during the 1970s and 1980s. The piece "Mémoires d’Oubliettes" marked the end of his work for NDT in 2009. In our plush seats before the thrust stage, you, Lia and I, moved by the naked art of dance, were, for a while, a family. Yet his motivation does not appear theatrical or virtuostic, or purely abstract; it comes from within, from an emotion or idea which resonates outwards. Czech choreographer/Nederlands Dans Theater director Jirí Kylián made his Black & White Ballets out of five pieces — No More Play, Petite Mort, Sarabande, Falling Angels, and Sechs Tänze — he’d created between 1986 and 1991, and it’s an unnerving investigation of sexual politics and … the intent of falling angels is to illustrate a women’s attempt of execute The Czech choreographer, Jiří Kylián, made an international splash with his full piece ballet “Sinfonietta,” choreographed to the music of his compatriot, Leoš Janáček. The description is limited to to a length of 500 characters, You must be a member to enjoy all functionalities, You must be a member to view this playlist. Steve Reich's energetic and moving piece for percussion, with it highly associative title "Drumming Part 1", was inspired by percussion rituals in Ghana. ‘Falling Angels’ by Jiří Kylián Falling Angels is a part of the Black and White ballets which were created in 1989 with 8 white female dancers dressed in black leotards. Falling Angels Dancer/choreographer Lou Conte founded Hubbard Street Dance Chicago in 1977 and directed the company until his retirement in 2000. Here are two examples of pieces reinterpreted by different choreographers. Jiri Kylian, Fallen Angels, Ballet de l’Opéra de Lyon. In his famous Black and White Ballets of 1989, Kylian captures the essence of the proper classical era fused together with comical relief. Falling Angels is a dance choreographed by Jiri Kylian and is accompanied by the song Drumming from Steve Reiches. Brigitte Martin, with her mop of red hair and her overalls, really looks like a naughty nine-year old, and most of the dancers, as far as they can dance in their costumes, are excellent. His ability to be witty is well represented by two works set to Mozart, Six Dances (1986)…, Jiri Kylian, Six Dances, The Alabama Ballet| Photo: Melissa Dooley. This Journey proposes a visit through dance genres and styles. Numeridanse.tv - This has been an important step in developing a deeper, more sophisticated appreciation of dancers. Kylian calls for a dramatic power in his dancers that can switch on and off whenever the piece warrants it; they must be detached but involved, expressive but not ‘acting’—everything is in the movement and apparently every muscle can be choreographed. Jiri Kylian, Gods and Dogs, Ballett Zürich. With simple leaps, runs, and turns they announce and celebrate the musical theme. His vocabulary is convoluted and dense; the vision from which he forms his steps and gestures is driven by expressionism but schooled in neo-classicism and informed by profound musicality. Against a background of silent, abstractly gestural commentators, who provide something of a Greek chorus, a hellish duet of mounting tension takes place—a kind of expressionistic paso doble. In 1962 he was accepted as a student at the Prague Conservatory. Again he does far more than visualize the music; his dialogue with it brings out the music’s subtleties but then insists upon its own contrasting statements. Avec plus de 150 000 spectateurs par saison et près de 200 levers de rideaux, la Maison de la Danse rassemble aujourd’hui un large public de spectacles très fédérateurs mais aussi d’œuvres innovantes et de recherche. It was performed to drumming/percussion music based on ceremonial ritual music from Ghana. For example, the superficiality of an art form shackled to youth and good looks for its splendours is something that he has directly addressed. Jiri Kyllian, Symphony of Psalms, National Ballet of Norway. Artists, companies, organisations, production agencies, libraries and resource centres, local authorities, festivals, performance centres, arts councils and foundations, directors, associated professionals. Jiří Kyliáns Falling Angels is a mesmerizing study in motion and minimalism showcasing eight female dancers. 'Falling Angels' Jiri Kylian Choreographic Task To practise your choreographic skills, focusing particularly on group dances, you now need to adapt this solo into a trio to try and achieve Band 1 criteria. No matter: The raw physicality of the dancer and the beauty of the balletic line negate this death wish. Lia beside me is wide-eyed with delight, her animistic thinking accords with mine. Although the medium in which Kylian works — this combination of classical and modern dance languages—is familiar rather than formally innovative, it is difficult to think of a more eloquent living choreographer. She is a child attuned to the deeper stirrings of the world, she is a child uncorrupted by rationality: Enlightenment cannot override enchantment, no accumulation of facts can compete with her personalized concepts! It wanders through the changing rythms and primitive African beat, producing an extremely exciting dance. The tension inherent in this combination of contradictory qualities is similarly exploited by Kylian; the choreography is tightly controlled, a mesmeric use of choral movement and repeated phrases but with an exhilarating sense of wildly creative energy. Cette collection montre les œuvres les plus emblématiques et s’enrichit au fur et à mesure de films liés à la transmission de son répertoire grâce au travail mené par l’association Les Carnets Bagouet créée par ses interprètes aprè. (See Ann Nugent: ‘Two Radicals in Europe’, Dance Now, 1(4), Winter 1992/93. In watching his ballets, one enters a strongly defined world; the dancers are not characters as such, but they certainly embody ideas. Are you sure you want to delete the history? Kylian finished the dance in 1989 which is a period when there was a variety of music and freedom within the movement of dance. When only two are left on stage, they are joined by two women who, rushing across the stage, are stopped by the men and pose for a moment in a detached, halted run. Whatever his comparative standing, Kylian has undeniably strengthened the art of dance by building on its foundations, and will therefore hand on not just the products of an individual creative talent but an enriched heritage. Découvrez de quelles manières ont collaboré chorégraphes et éléments percussifs. Does the contemporary artist is the product of an era, of its environment, of a culture? As bodies sink down to earth, eyes often search upwards. Source: Nederlands Dance Theater 's website, Choreography The company belongs to Studio Halle GmbH and maintains the subsidiary Monarda Arts. What is the context of Falling Angels? Arthaus Musik GmbH was founded in Munich in March 2000 and has been based in Halle (Saale) since 2007. Like the music, the lighting here underscores the structure of the choreography, accentuating its construction and proceeding, a characteristic always to be found in Kylian's work. Kylian can deal equally well with classical sublimity. They contort on the beat and retreat a couple of steps, all in unison. Necessarily basic for the Armchair, the Teacup, etc., his choreography becomes more expansive and elaborate, with quite lovely pas de deux for the Shepherd and Shepherdess, the Prince and Princess, and especially, in the garden scene, the graceful variations for the dragonflies and the bats. Overview 'Falling Angels' Jiri Kylian Socio-Cultural Background LETS GET PHYSICAL! He left Prague in 1967 when he received a scholarship for the Royal Ballet School in London. In Falling Angels, the 8 female dancers are also influenced by lighting. This Parcours questions the idea that contemporary dance has multiples techniques. Jiri Kylian: “Falling Angels” In 1980 Jiri Kylain created “Falling Angels” a piece that was made based off of the roles of women in the 1980s, and Kylians personal intent for this small section of works that is part of “The Black and White Ballet.” In 1960 Kylian went to London and viewed Rambert Dance Different shows car reveal or give an idea about the different modes of contemporary dancer’s formations. Kylian joined the Stuttgart ballet in 1968 in the middle years of John Cranko’s emarkable directorship, when choreographers Cranko, Maurice Béjart, and Hans van Manen were providing lively new approach to ballet characterized by athletic, theatrical movement. Lesley-Anne Sayers (The Guardian) was a research fellow in dance at Roehampton University and a short-term fellow at Princeton University. What makes his work particularly accessible is that it is dramatically expressive, lyrical, virtuosic, and profoundly musical. Kylian’s dancers can be classically sublime, as in Sinfonietta, and then again they can sculpt themselves into space in a way that has conflict and angst screaming out of the contortions; Kylian can uplift your spirit one minute, and set your teeth on edge the next. Component in Jiři Kylián 's work is immediately clear here walk between different and., at the School of the world produce a tale so devoid contradiction. Diffusion mais aussi pôle européen de créa was founded in Munich in March 2000 and been...: lia knows better short-term jiri kylian falling angels at Princeton University their content on the international with... Than simple reversals of the body » when it ’ s score Kylian... Body at its extremes this death wish the Royal Ballet School in London steadily, a. Of steps, all in unison quite a wide variety of scores and.! Dances through me ’: are we not children of Nietzsche linked to your account and upload. 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