No spoilers and kudos to try something else, but wow does that finale leave me even more frustrated with the previous events. Chris Lofing and Travis Cluff’s 2015 feature The Gallows was one that was met with a wave of negative reviews from the critics and audiences were not too keen on it either. Remember me. Film Review: The Gallows Act II (2019) Janel Spiegel 11/19/2018 Film Reviews. If there’s anything one can say positively it’s that Horvath should find better material. Auna is kind of an outcast at school, but her acting skills and her relationship with a popular kid named Cade (Chris Milligan) end that narrative thread. But it most vividly registers as a rancid misogynist cherry atop a sloppy concoction of tired jump scares. THE GALLOWS ACT 2: FILM REVIEW. What I do remember is being unimpressed. She does so via a monologue from a play called The Gallows, which is apparently cursed. Probably worst of all, it’s got a paper-thin understanding of internet culture, ostensibly playing with the idea that Auna wants to be a viral celebrity but then basically dropping that. The events of Act II are almost completely unconnected to the 2015 pic, aside from perpetuating an ominous urban legend about The Gallows, a … The films revolve around a cursed stage play originating in rural Nebraska where a teenager was tragically killed during the performance. And when “The Gallows” made $43 million on a $100k budget, a sequel was inevitable. The Gallows Act II follows Auna Rue, a wannabe YouTube celebrity, who moves in with her sister to attend a new school with a killer drama programme. The Gallows Act II is eighty-percent dull creepypasta shadow lurking and infuriating “jumps,” followed by an ending that rattles catastrophically off the rails. The Gallows Act II (2019) Movie Review October 24, 2019 Alex Brannan Leave a comment I have to admit: I can’t remember a whole lot about The Gallows, the micro-budget horror film from 2015 that found a massive ROI despite strong negative reaction from audiences and critics. This is the latter. “The Gallows” is a perfect example of the Jason Blum money machine also known as Blumhouse. The Gallows Act II: Movie Review Posted on October 24, 2019 by popcornnights in MOVIE REVIEWS // 0 Comments With the massive success of the “Paranormal Activity” franchise, we saw a great number of found-footage horror films hitting the multiplex trying to capitalize on the trend. One person found this helpful. The Gallows: Act II continues the young adult pursuit of a classic high school ghost story on a more viral level. After which it’s 80 minutes or so of rhyme-and-reason-free gotcha’s, augmented by the bland presence of Auna’s impossibly square-jawed new beau, Cade (Chris Milligan). Serving as a direct sequel, The Gallows: Act II is a sharp departure from the original. Auna becomes an internet celebrity overnight when while reading a passage a table moves across her room. From the company that produced 2007’s Paranormal Activity and 2010’s Insidious comes the Supernatural Thriller The Gallows Act II.Lionsgate delivers the film to select theaters, as well as On Demand, starting Friday, October 25th, 2019—just in time for Halloween screams. Watched May 11, 2020. Password. The Gallows was an un-scary dud of a horror film that buried the found footage genre so far underground that we’ve seen nothing from it at the mainstream box office since. The Gallows Act II is an eighty percent boring creepypasta shadow that lurks and rages "jumps," followed by an ending that rattles off the rails catastrophically. Review by Jesse Ortega. The filmmaking quality barely meets direct-to-video standard, and despite a lead actress who really tries, the movie does not respect her character or any other character in the story. When Auna Rue (Ema Horvath) transfers to a prestigious new acting school, she encounters a malevolent spirit after participating in a viral challenge. Auna falls into a web wormhole about the “Charlie Challenge,” in which people apparently read passages from the play in an effort to bring its vicious hangman into the real world. This time, they ditch the found-footage style and focus on a more likable character in Auna, but although she's sweet, she's still annoyingly naive. “The Gallows” is a perfect example of the Jason Blum money machine also known as Blumhouse. Helpful. His model is simple. He is also a writer for Vulture, The Playlist, The New York Times, and Rolling Stone, and the President of the Chicago Film Critics Association. When you purchase a ticket for an independently reviewed film through our site, we earn an affiliate commission. Summary: After Auna Rue, a teenage vlogger/aspiring actress, logs onto a sinister website, she’s soon trapped in the malevolent world of a cursed stage play, The Gallows. The Gallows Act II is a factory produced and critically flawed jump scare machine being controlled by filmmakers with no sense of timing or restraint. It kinda plays with the idea of how stories like Slenderman can grow through sharing online, but it’s a half-baked exploration of internet urban legends. Posted on: January 11th, 2020. but “The Gallows: Act II” fails on this very fundamental level. The movie’s finale offers a twist that ostensibly ameliorates the internal-logic complaints. Brian Tallerico is the Editor of RogerEbert.com, and also covers television, film, Blu-ray, and video games. The Review The Gallows, a high-school production originally done at Beatrice High School that went horribly wrong has become something much more. Reviewed in the United Kingdom on 5 April 2020. For the most part, the movie abandons the found footage genre in favor of a strange and unique tone that spins the potential franchise into an unexpected direction. To be fair, Horvath fights her way through the awful dialogue and thin characters, almost delivering a one-woman show given how forgettable the rest of the cast is, but you can almost see her succumb to the dumb story and weak dialogue as Auna succumbs to the haunting facing her. This review may contain spoilers. His model is simple. A factory that makes dumb movies. There’s an unbelievably lengthy monologue scene that ends with a standing ovation from her teacher and classmates when the truth is it’s really not that good a monologue and any drama teacher on Earth would tall Auna that. Visit the page to bypass this warning and read the review. Now it's a stage play that has enthralled many of today's youth around the nation. The eager aspiring actress Auna (Ema Horvath, who has a touch of young Hilary Swank) moves in with her older sister to attend a new high school with a stellar drama department. Low budgets = high profits. It is the sequel to the 2015 found footage film The Gallows. Report abuse. LucieN. Synopsis: Those of you that remember the travesty that was 2015’s The Gallows will probably wonder who greenlit the follow-up and why. Breaking Bread on the 25th Anniversary of Big Night, ABC’s Rebel Wastes Talent on Fictional Version of the Erin Brockovich Legacy. It’s a major step forward for them as filmmakers. The Gallows: Act II (similar to the vastly disappointing [Rec] 3: Genesis) abandons its core ‘shaky cam’ format early on and the results are a big mess of a movie. REVIEW: I was more impressed by the behind the scenes story of the 2015 film THE GALLOWS than I was by the movie itself. If it didn’t look like an inferior student film, the thin narrative might be more effective. It stars Ema Horvath, Chris Milligan and Brittany Falardeau. The Gallows Act II was written and directed by Travis Cluff and Chris Lofing, who also wrote and directed the first movie. Combining found footage with narrative shots, this sequel takes the cursed stage play of ‘The Gallows’ a step further into the virtual world that so many teens occupy. 1.0 out of 5 stars Really, this isn't great. The Gallows Act II is a 2019 American supernatural horror film written and directed by Chris Lofing and Travis Cluff. We’ve all seen truly bad movies that still meet the basic criteria of moviemaking like camera angles that don't obscure faces, how to light a scene, etc. Auna is desperate to gain more views and followers and dreams of being a star and in her desperation, results to doing ‘Charlie Challenge’, which may not be quite as harmless and innocent as she thought. Directed by Travis Cluff, Chris Lofing. Rated R for themes, violence, tired jump scares. Verified Purchase. As if the idea of a play that basically unleashes evil wasn’t enough for writer/directors Chris Lofing and Travis Cluff, they also incorporate some truly vile viral material a la Slenderman or other rumors of internet hauntings. This thing is so lifeless in terms of visuals and storytelling that you can almost picture the cast and crew trudging to the set every day and clocking in like they’re working in a factory. The Gallows Act II is aggressively awful, a maddening ordeal that taps into my PTSD of movies like Slender Man, The Apparition and Creature. After a found-footage-style prelude establishing the telekinetic, or whatever it is, power of the play-that-kills called “The Gallows,” the movie, written and directed, as the first one was, by Chris Lofing and Travis Cluff, brings us into a fresh world of high-school drama. The Gallows Act II is essentially rubbish, and should hang its own head in shame. And then a few reports trickled out about how those test screenings went: not good. The Gallows Act II: Review | film reviews, interviews, features | BRWC. Basic elements of filmmaking like where to place a camera and when to cut a scene seem to have been outright ignored, and the script is a hodgepodge of tropes from other movies that’s designed merely to hold up the almost laughable number of jump scares (at one point, they literally try to pull off two back to back). https://www.nytimes.com/2019/10/24/movies/the-gallows-act-two-review.html The Gallows Act II Blu-ray Review Dec 11 2019 The Gallows Act II might be a slight step up from the first film if only because it’s a traditionally shot film versus the found footage style, but the story still isn’t the best and the acting mostly subpar (though I did like Ema Horvath in the lead). The Gallows was a clumsy jumble that was hamstrung both by weak characters and a weak premise. Low budgets = high profits. When Auna Rue transfers to a prestigious new acting school, she encounters a malevolent spirit after participating in a viral challenge. Review: “The Gallows Act II” is a product of its time. But it was a hit, so co-writers/directors Travis Cluff and Chris Lofing are back with The Gallows Act II. It's easy to see why Blumhouse weren't in a rush to get this into cinemas, as it really is atrocious. If you don’t remember The Gallows, don’t worry. With Ema Horvath, Chris Milligan, Brittany Falardeau, Pfeifer Brown. Auna is pointed to the cursed play by an anonymous subscriber to her YouTube channel. After performing a passage from the play for her tiny online fan base, Auna instantly achieves the stardom she seeks—as well as a twisted challenge from a deadly spirit. Worst of all in a film of only worsts is the way the writers and directors treat theater culture. A sequel to an ok gound footage film, in part II a drama student reads from a cursed play called 'The Gallows' which is a cursed play and brings a hangman into the real world, she takes part in the viral challenge the "Charlie Challenge" and becomes more and more popular at her new school, things go bad and a twist ending thsts out of place and a WTF moment. You almost have to admire the audacity of a scene in which Auna defends a kid from being bullied, leading one to believe she’s formed a new friendship, but it’s a really a scene designed for her to impress the jock with her decency. The central conceit of The Gallows and The Gallows Act II remains solid and intact. In 2017, rumors began to circulate that a follow-up to the 2015 original had been shot relatively in secrecy and was test screening for audiences. The Gallows Act II was filmed directly after the release of the first movie (which made a whopping $43 million on its $100,000 budget! “The Gallows Act II,” a thoroughly undistinguished follow-up to the 2015 film “The Gallows,” seems, for much of its running time, not to have any internal logic to begin with. There are your average everyday bad movies and then there are deeply incompetent movies. The Gallows: Act II … And when “The Gallows” made $43 million on a $100k budget, a sequel was inevitable. She’s relatively charming and the failures of the film have nothing to do with her. That time isn’t 2019, the year it finally released. Her discovery of it leads her to some inspired monologuing — being semi-possessed by supernatural evil makes you a better actor, everybody knows that — as well as some scary new videos in which bedroom objects fly around and a masked hangman inexplicably turns up in the background. 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