the abduction of ganymede

The Abduction of Ganymede is a 1635 painting of Ganymede by the Dutch Golden Age painter Rembrandt in the collection of the Staatliche Kunstsammlungen Dresden. Rubens, with The Abduction of Ganymede depicts Zeus, in the form of an eagle, abduction the Trojan prince Ganymede from Troy. Tweet. EMBED. Sm. 70 ; B-HdG. Below you can freely custom THE RAPE OF GANYMEDE. Find more prominent pieces of mythological painting at Wikiart.org – best visual art database. 197. EMBED (for wordpress.com hosted blogs and archive.org item tags) Want more? On the left the corner of a scarf with a tassel flaps in the wind. 1611-12. The answer to this puzzle lies in the preliminary sketch for this painting, where Rembrandt has even sketched the child defecating instead of urinating, with what appear to be two horrified parents raising their arms below. This is a part of the Wikipedia article used under the Creative Commons Attribution-Sharealike 3.0 Unported License (CC-BY-SA). 106 ; Wb. He holds with his beak the clothing, and with his talons the left arm, of the fair curly-haired boy, who, turned sharply to the left and almost seen from the back, faces round to the spectator as if crying loudly, and with his right hand tries to repulse the bird. Ganymede, the son of King Tros, who gave his name to the city of Troy, was the most beautiful youth alive and therefore chosen by the gods to be Zeus’ cupbearer. [3] In the 1670s the painter Nicolaes Maes even made a whole series of paintings of Ganymedes that are considered deathbed portraits of children. The reproduced artwork will be done by an experienced artist. (23.1 x 18 cm) Classification: Drawings. Engraved by C. G. Schultze, by A. Cardon in Reveil, by L. Noel in " The Dresden Gallery." The abduction of Ganymede by Correggio (Antonio Allegri) According to the ancient Greek legend, Zeus, the ruler of the gods and mortals, delighted with the beauty of the son of King Tros, the young Ganymede, ordered him to be kidnapped, finding that the land is an unworthy place for a beautiful young man to stay. 439, 568; by Dutuit, p. 28 ; by Michel, pp. Advanced embedding details, examples, and help! His light blue dress and shirt are pulled up by the eagle's claws so as to expose the whole of the boy's lower limbs. If the picture (for the present description is taken from a print) be really by Rembrandt, his intention must have been to burlesque the mythological subject above stated, for he has represented the beautiful Ganymede as a great lubberly child, with a blubbering grimace of countenance, sprawling, with extended arms, in the talons and beak of the eagle Jupiter. Ganymede had been tending sheep, a rustic or humble pursuit characteristic of a hero's boyhood before his privileged status is revealed. The Abduction of Ganymede depicts lively mythical figures frozen in action. 197; Bode 79 ; Dut. Medium: Pen and brown ink, brush and brown wash, highlighted with white, over black chalk on blue paper. Dangerous Beauty: The Abduction of Ganymede, Vat. Sales. He is being taken by Zeus in disguise of an eagle, because the god fell in love with the youth's beauty and wanted him to be a cup-bearer in Olympus. According to Ovid, the god Jupiter was amazed by Ganymede's beauty and so, having transformed himself into an eagle, carried the youth off to Olympus where he made him his cup-bearer. He depicts the moment when the eagle catches the young shepherd and lifts him into the air. If the picture (for the present description is taken from a print) be really by Rembrandt, his intention must have been to burlesque the mythological subject above stated, for he has represented the beautiful Ganymede as a great lubberly child, with a blubbering grimace of countenance, sprawling, with extended arms, in the talons and beak of the eagle Jupiter. Free for commercial use, no attribution required. It tells the story of the abduction of Ganymede, a shepherd and the son of Tros, a legendary king of Troy. Mentioned by Vosmaer, pp. Zeus either summoned an eagle or turned into an eagle himself to transport the youth to Mount Olympus. 33 (175 florins). Oil on canvas, 163.5x70.5 cm. (Photo by DeAgostini/Getty Images) The abduction of Ganymede 1635 – an early work by Rembrandt van Rijn – has puzzled many generations of Rembrandt scholars. Rembrandt's depiction of the reluctant Ganymede should be seen not in the Renaissance context of the homo-erotic catamite theme, but in a relatively new Protestant Baroque interpretation of Ganymede as a beloved child "abducted from life too soon". Jupiter was so taken with Ganymede´s beauty that he transformed into an eagle to carry him off to Mount Olympus, where he became his cup-bearer. The Abduction of Ganymede is an oil on canvas painting by the Florentine painter Anton Domenico Gabbiani. Title: The Abduction of Ganymede 1611 Painted by: Peter Paul Rubens The heroic classicist style in the 1610s Which Rubens developed in his religious works was even more apposite in scenes derived from classical themes. Mentioned by Vosmaer, pp. Dimensions: 51 x 43 x 36 cm 20 x 17 x 14 inches Weight: 42 kilo / 93 lbs. Signed at top on the hem of the shirt, "Rembrandt ft. 1635"; oak panel, 68 1/2 inches by 52 inches. Dates / Origin Date Issued: 1892 Library locations The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection Shelf locator: PC-WON MYT-Gan Topics Mythology Eagles-- Mythology Kidnappings Find the perfect The Abduction Of Ganymede stock photos and editorial news pictures from Getty Images. Bright light falls from the left full on the boy. Get premium, high resolution news photos at Getty Images Rubens drew this story from the classical poet, Ovid´s Metamorphoses (X, 155-161). Rubens painted many such subjects shortly after 1612. The Abduction of Ganymede is an oil on canvas painting depiction a story from Greek mythology. The Abduction of Ganymede is a 1635 oil painting of Ganymede by the Dutch Golden Age painter Rembrandt in the collection of the Staatliche Kunstsammlungen Dresden. Amsterdam, April 26, 1716 (Hoet, i. These copies were used as decoration, or for funerary purposes. The rape of Ganymede by Rembrandt.jpg 1,164 × 1,600; 865 KB. In the 1670s the painter Nicolaes Maes even made a whole series of paintings of Ganymedes that are considered deathbed portraits of children. ‘The Abduction of Ganymede’ was created in 1612 by Peter Paul Rubens in Baroque style. 221, etc., 553 [170-71, 438]. 197. Own a decent museum quality hand painted reproduction of "The Abduction of Ganymede" on artist-level linen canvas, originally by artist Peter Paul Rubens, year 1612. 439, 568; by Dutuit, p. 28 ; by Michel, pp. Sales. 70 ; B-HdG. Artwork analysis, large resolution images, user comments, interesting facts and much more. Engraved by A. Cardon. 154, etc., 507; by Bode, pp. Squared in black chalk. The Abduction of Ganymede Item Preview 340940.jpg . His outstanding beauty caused Jupiter to fall in love with him. by 2 ft. 8 in.—C. THE RAPE OF GANYMEDE. Engraved by C. G. Schultze, by A. Cardon in Reveil, by L. Noel in " The Dresden Gallery." The painting illustrates the classical Greek myth of the abduction of Ganymede, most beautiful of male mortals, by an eagle-guised … For other uses, see, ...d'ontschakinge van Ganymedes, die uytnemende schoon, zijn Ouders vroegh ontstorf, en daerom ontrooft te zijn, De roof van Ganymedes (Ovidius, Metamorfen X, 153ff), 1635, Staatliche Kunstsammlungen Dresden, Bust of a Man Wearing a Gorget and Plumed Beret, Diana Bathing with her Nymphs with Actaeon and Callisto, Pendant portraits of Maerten Soolmans and Oopjen Coppit, The Archangel Raphael Leaving Tobias' Family, Ahasuerus and Haman at the Feast of Esther, Self-Portrait Wearing a White Feathered Bonnet, Self-Portrait in a Black Beret and Gold Chain, Self-Portrait with Beret and Turned-Up Collar, https://en.wikipedia.org/w/index.php?title=The_Abduction_of_Ganymede&oldid=1006011963, Collections of the Gemäldegalerie Alte Meister, Pages using infobox artwork with the material parameter, Wikipedia articles with Bildindex identifiers, Wikipedia articles with RKDID identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 10 February 2021, at 15:45. Schwarzenberg Palace, Vienna. In classical poetry Ganymede is described as a beautiful youth, who was much loved by the gods as a cup-bearer. No_Favorite. Artwork analysis, large resolution images, user comments, interesting facts and much more. Engraved by A. Cardon. Among the mythological subjects, the Abduction of Ganymede and the Danaë (1636, The Hermitage, St. Petersburg) are outstanding examples of Rembrandt's sense of high-pitched drama and expressive chiaroscuro. The Rape of Ganymede. The abduction of Ganymede, Greek mythology, drawing by Giacinto Gaudenzi. Amsterdam, April 26, 1716 (Hoet, i. 46. This is a reproduction of a famous bronze original, attributed to Leochares, of which many copies are known. "[1], Oddly, Hofstede de Groot did not comment on the theme of this painting at all, though Smith before him found it highly unusual when he wrote: "197. The Abduction of Ganymede. Rembrandt's depiction of the reluctant Ganymede should be seen not in the Renaissance context of the homo-erotic catamite theme, but in a relatively new Protestant Baroque interpretation of Ganymede as a beloved child "abducted from life too soon". Mythology -- Ganymede. 191), No. The eagle of Zeus, seen in front with out-stretched wings, rises towards the heavens. Ganymede Abducted by the Eagle Retrieved from " https://commons.wikimedia.org/w/index.php?title=File:Antonio_Allegri,_called_Correggio_-_The_Abduction_of_Ganymede_-_Google_Art_Project.jpg&oldid=354420236 " The Abduction of Ganymede is a 1635 oil painting of Ganymede by the Dutch Golden Age painter Rembrandt in the collection of the Staatliche Kunstsammlungen Dresden. We utilize only the finest oil paints and high quality artist-grade canvas to ensure the most vivid color. This work of art shows the tale of Greek Mythology where Zeus spies the beautiful Trojan prince Ganymede, and decides to abduct him. The Abduction of Ganymede is a 1635 painting of Ganymede by the Dutch Golden Age painter Rembrandt in the collection of the Staatliche Kunstsammlungen Dresden. In the Dresden Gallery, 1908 catalogue, No. Sm. The common denominator in abduction myths is not the victim's gender, but their beauty. Media in category "The Abduction of Ganymede (Rembrandt)" The following 12 files are in this category, out of 12 total. On the left the corner of a scarf with a tassel flaps in the wind. 1558. Quantity. 136. His story had less in common with those of the great heroes, however, than it did with many of the princesses. Ganymede was a handsome young prince in Greek mythology. Abduction of Ganymede 1635 Oil on canvas, 171 x 130 cm Gemäldegalerie, Dresden: Catalogue number: Bredius 471. Download Image of The abduction of Ganymede. This painting was documented by Hofstede de Groot in 1915, who wrote: "207. 6 ft. 3 in. Ganymede was abducted by Zeus from Mount Ida near Troy in Phrygia. Designed and printed in Britain Peter Paul Rubens 1577 – 1640, The Abduction of Ganymede, 1611 – 1612 This is a stunning work by Rubens that works perfectly as a pocket square and a real star of our Rubens collection. 106 ; Wb. Dimensions: 9-1/8 x 7-1/16 in. The painting has done away with these figures and keeps the lower portion of the earthly world in utter darkness and despair, while the eagle is taking the child (against its will) towards the light. "207. The Abduction of Ganymede by Rembrandt van Rijn is a 100% hand-painted oil painting reproduction on canvas painted by one of our professional artists. Signed at top on the hem of the shirt, "Rembrandt ft. 1635"; oak panel, 68 1/2 inches by 52 inches. 136. The bird has seized him by his unclassical raiments, the weight of his fat body has drawn his clothes up to his shoulders, and left his lower extremities in a state of nudity, and is thus bearing him through the murky air to Olympus. The perverted Zeus is kidnaping an extremely young Ganymede. Oil on canvas, 203 x 203 cm. The bird has seized him by his unclassical raiments, the weight of his fat body has drawn his clothes up to his shoulders, and left his lower extremities in a state of nudity, and is thus bearing him through the murky air to Olympus. Full length, life size. In the Dresden Gallery, 1908 catalogue, No. As a young man Ganymede was abducted by Zeus and taken to Mount Olympus to be his cupbearer. Now in the Dresden Gallery."[2]. The abduction of Ganymede Names Kirchbach, Frank 1859-1912 (Artist) Collection. early sketch by Rembrandt in the Kupferstich-Kabinett, Staatliche Kunstsammlungen Dresden, Die Entführung des Ganymed, by Christian Gottfried Schultze, c. 1780, George de Vicq as Ganymede, by Nicolaes Maes, 1681, Fogg Art Museum, An inventory, made on 17 February 1671, of the estate of Catharina van der Pluym, widow of Willem Schilperoort and aunt of Rembrandt's great-nephew and pupil Karel van der Pluym, mentions "een stuck van Ganimedes – f7.- "[4], This article is about the painting by Rembrandt. The eagle of Zeus, seen in front with out-stretched wings, rises towards the heavens. This painting was documented by Hofstede de Groot in 1915, who wrote: The Abduction of Ganymede, c.1611/12 Peter Paul Rubens (1577-1640) Location: Palace Schwarzenberg Vienna Austria Original Size: 207 x 207 cm The Abduction Of Ganymede is one of artworks by Peter Paul Rubens. W. van Velthuyzen, Rotterdam, April 15, 1751, No. Bought in the same year at Hamburg through Heinecken for Dresden. Ganymede was a shepherd, the son of Tros, a legendary king of Troy. The Abduction of Ganymede is a 1635 oil painting of Ganymede by the Dutch Golden Age painter Rembrandt in the collection of the Staatliche Kunstsammlungen Dresden. The boy, who in his fright makes water, holds cherries in his left hand. In classical poetry Ganymede is described as a beautiful youth, who was much loved by the gods as a cup-bearer. 33 (175 florins). His light blue dress and shirt are pulled up by the eagle's claws so as to expose the whole of the boy's lower limbs. 1558." It tells the story of the abduction of Ganymede, a shepherd and the son of Tros, a legendary king of Troy. Myth. Wonders: Images of the Ancient World. remove-circle Share or Embed This Item. Bright light falls from the left full on the boy. 221, etc., 553 [170-71, 438]. He holds with his beak the clothing, and with his talons the left arm, of the fair curly-haired boy, who, turned sharply to the left and almost seen from the back, faces round to the spectator as if crying loudly, and with his right hand tries to repulse the bird. Select from premium The Abduction Of Ganymede of the highest quality. Mohamed is deeply shaken when his oldest son Malik returns home after a long journey with a mysterious new wife. The Abduction of Ganymede ITALY - CIRCA 2002: Vienna, Kunsthistorisches Museum (Museum Of Fine Arts) The Abduction of Ganymede, 1531-1532, by Antonio Allegri, known as Correggio (1489-ca 1534). Artist: Giorgio Vasari (Italian, Arezzo 1511–1574 Florence) Date: 1511–74. Dated: 1892 - 1892. Now in the Dresden Gallery." Bought in the same year at Hamburg through Heinecken for Dresden. Title: The Abduction of Ganymede. 46. W. van Velthuyzen, Rotterdam, April 15, 1751, No. This relief depicts the abduction of a young hero from Troy, Ganymede. 6 ft. 3 in. 154, etc., 507; by Bode, pp. This painting was documented by Hofstede de Groot in 1915, who wrote: "207. €1.499,00. God, Devil, 100, 666 - To calculate gematria values) View Rude Words. 191), No. The Abduction Of Ganymede is one of artworks by Jean-Honore Fragonard. 197; Bode 79 ; Dut. The sombre background contains on the left at foot some clumps of trees, before which in the foreground are the pinnacles of a building. A drawing showing a sketch for the picture is in the Dresden Print-room; reproduced by Lippmann, No. Sm. Oddly, Hofstede de Groot did not comment on the theme of this painting at all, though Smith before him found it highly unusual when he wrote: "197. The Rape of Ganymede. The Abduction of Ganymede. 70 ; B-HdG. by 2 ft. 8 in.—C. abduction of ganymede value in Gematria Calculator (Type in a word or a number e.g. 197; Bode 79 ; Dut. Rembrandt - The Abduction of Ganymede - Google Art Project.jpg 4,192 × 5,820; 3.39 MB. The boy, who in his fright makes water, holds cherries in his left hand. The sombre background contains on the left at foot some clumps of trees, before which in the foreground are the pinnacles of a building. Contents 1 Painting A drawing showing a sketch for the picture is in the Dresden Print-room; reproduced by Lippmann, No. Full length, life size. Most ancient sources make it clear that their relationship was a romantic one. THE RAPE OF GANYMEDE. The full text of the article is here →, {{$parent.$parent.validationModel['duplicate']}}, Private Collection, Staatliche Kunstsammlungen Dresden, Dresden, Germany, en.wikipedia.org/wiki/The_Abduction_of_Ganymede, 1-{{getCurrentCount()}} out of {{getTotalCount()}}, https://en.wikipedia.org/wiki/The_Abduction_of_Ganymede, Self-Portrait with Saskia in the Parable of the Prodigal Son. [ 170-71, 438 ] 568 ; by Michel, pp the artwork! 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