The play uses masks, hair, and its set and props to evoke the mixed cultures being represented. Funnyhouse of a Negro. These characters are manifestations of Sarah's self, and include Queen Victoria, the Duchess of Hapsburg, Patrice Lumumba, and Jesus Christ. There is also a persistent knocking sound in the background for the rest of the play, representing the father's attempts to return to Sarah's life. Adrienne Kennedy’s Funnyhouse of a Negro uses the symbol of hair to highlight Sarah’s obsession with hair and baldness throughout the text. "[5] Their conversation is not their own words, but the words of Sarah. The theme of death is also prominent in the play. Sarah’s need to meet the white standards of society and not have black features overtakes her life and is the driving force behind her thoughts and actions. Synopsis A poetic and symbolic investigation into one woman’s mind before her death, Funnyhouse of a Negro is perhaps Adrienne Kennedy’s most famous one-act play. photo by Scott Wynn. A Black woman awakens in a phantasmagoric rooming house where she is visited by the Duchess of Hapsburg, Queen Victoria, Patrice Lumumba and Jesus Christ. As the product of rape, Sarah's view of healthy sexual relationships is very stunted. But it isn't my cup of tea. [2] The play also dramatizes the sexual economy of racism that constructs blacks as hypersexual and culturally deficient. I had to read this play for my class on Greenwich Village and it was a bit hard to follow at first, at least when I read it by myself. And a good one too. A woman born of a black man and white women explores the link between oppression and warping of the mind. [1] The play shared this award with Amiri Baraka's Dutchman, and was influenced by her radical imagination; critics have read it in conversation with both the Black Arts Movement and the Theater of the Absurd. Start: Funnyman: He is arriving from Afr... Duchess of Hapsburg Raymond. We’d love your help. I understood the themes of blackness and sexuality clearly. Funnyhouse of a Negro Search streaming video, audio, and text content for academic, public, and K-12 institutions. Other than that, I want to read more of Kennedy's work. photo by Scott Wynn. See more ideas about negro, kennedy, great comet of 1812. Additionally, the Queen and Duchess symbolize power, but are used to de-romanticize idealized perceptions of whiteness. Kennedy's play seeks to deconstruct and disempower "thing white thing" by showing audiences haunting and perverse images of whiteness. by Samuel French, Inc. See details. Dates / Origin Date Created: 1964 Library locations Billy Rose Theatre Division Shelf locator: *T-Vim 2017-044 Topics Kennedy, Adrienne. The speech discusses how Sarah is haunted by her bald mother in her sleep, blaming Sarah's father for her plight into insanity, saying, "Black man, black man, my mother says, I never should have let a black man put his hands on me."[5]. Jesus appears, surrounded by the rest of the characters, all with nimbuses on their heads "in a manner to suggest that they are saviors". photo by Scott Wynn. The father is portrayed in a way in which his touch is fatal, driving Sarah's mother to lose her sanity and ultimately driving Sarah to her own suicide. They speak of how his darkness killed the lightness, or Sarah's mother, and haunted Sarah's conception. His mother wanted him to go to Africa and save the race, while his father told him that "the race was no damn good. Featured Scenes. 0. Read 19 reviews from the world's largest community for readers. The scenes are arranged like a dizzying hall of mirrors, recalling both Alain Robbe-Grillet's novels and Heiner Muller's fractured monologues. [2] Sarah is torn between the paradoxes of black and white, past and present, flesh and spirit. Funnyhouse of a Negro is a modern classic about the student Sarah, a young black woman living in New York City, and her search for her identity in a very complex, warring, and fractured world. She won a lifetime Obie as well. [5] Finally, the Duchess reveals that the mother is currently in an asylum and is completely bald; this explains the significance of the opening sequence of the play. Only she and Lumumba are not dressed in white; she has a white fixation and wants to become whiter and whiter. 0. The two characters discuss the Duchess' father, who is actually Sarah's father, as the Duchess is an extension of Sarah. Trifles . Paperback (New Edition) $ 9.95. An interesting, intense, and dreamlike meditation of self-hatred as it pertains to race and the self. View All Characters in Funnyhouse of a Negro. The next scene is between the Duchess and Jesus in the Duchess' palace. The play opened off-Broadway in 1964 and won the Obie Award for Distinguished Play. This is "Funnyhouse of A Negro" by Lileana Blain - Cruz on Vimeo, the home for high quality videos and the people who love them. This was... confusing. Trifles. His character is unknown to the audience, and he holds a mask in his hands. Finally, they say that they are bound to the father unless he dies. The landlady enters and tells a story about how Sarah's father asked her for forgiveness for being black, and she would not give him forgiveness. [3] The opening sequence of the play presents deathly imagery, as the white curtain is described as being made of "a cheap material and a ghastly white, a material that brings to mind the interior of a cheap casket. Overview. Tape. Brilliant work! Either way, Sarah has mental and emotional issues that ultimately lead to her death. I don't know what to say. Sarah also reveals her desire to kill her father, also seeking to kill the blackness inside of her. The audience learns that Sarah is a student at a city college in New York, and that she dreams of being surrounded by European antiques and having white friends. She looked like a white woman. Just a moment while we sign you in to your Goodreads account. [6], Funnyhouse of a Negro addresses the themes of racial identity and mixed ancestry, as seen through the four manifestations of Sarah's self. As a result went back and read it again because the protagonist (at least for me) had now changed. I loved it!!! [5] The group speaks in unison about how they believed their father to be God, but he is black. She harangues against her father who gave her a jungle strain and then sold out to white harlotry, dreams of. Adrienne Kennedy (born September 13, 1931) is an American playwright. The fact that Sarah's father kills himself because of her rejection serves to damage her further. This search is manifested in her many selves: Queen Victoria, the Duchess of … The play takes place in Sarah's mind, with her room as a symbol for her obsession with whiteness. "[5] All of the characters run around the stage laughing and screaming until the blackout. Race/Gender and Power Social Movements: - Black = Men - Women = White Desire to escape passivity of womanness Surrealism and Layered Meaning Reference to blood I suppose I am an Aristotelian in that sense. On the Writing of Funnyhouse of a Negro (pp. A Movie Star Has To Star In Black And White", "Classical Theater of Harlem's Funnyhouse of a Negro Adds a Performance", "The Nightmare Within: Battling the Internalized Color Line", "BROWN THEATRE PRESENTS FUNNYHOUSE OF A NEGRO", "BTC continues season with 'Funnyhouse of a Negro, "Clay and Clara: Baraka's Dutchman, Kennedy's The Owl Answers, and the Black Arts movement", https://en.wikipedia.org/w/index.php?title=Funnyhouse_of_a_Negro&oldid=1000337032, Creative Commons Attribution-ShareAlike License, This page was last edited on 14 January 2021, at 18:17. "[4] The movement was dominated by masculine influences and an element of violence. She is best known for Funnyhouse of a Negro, which premiered in 1964 and won an Obie Award. Hair is another important theme in Funnyhouse of a Negro. [4] Funnyhouse of a Negro takes place in Sarah’s mind, allowing the audience to witness the anxiety, entrapment, and alienation of being a black woman in the United States. In her little bedroom on the top floor of a brownstone in the West 90's, Sarah has a white plaster bust of Queen Victoria as a palpable companion. Funnyhouse of a Negro is a one-act play by Adrienne Kennedy. Ending was unexpected. The scene ends with Jesus telling the Duchess that he plans to go to Africa to kill Patrice Lumumba. Characters: 3 male, 5 female . Hair defines the characters and illustrates Sarah's fate. Funnyhouse of a Negro Paperback – February 1, 2011 by Adrienne Kennedy (Author) 4.7 out of 5 stars 22 ratings. "[5] The landlady and Raymond enter, noticing Sarah's hanging body. The landlady remarks on the sadness of Sarah's situation, when Raymond says, "She was a funny little liar. Thirty-four years after the publication of her dystopian classic, The Handmaid's Tale, Atwood returns to continue the story of Offred. They call the father a "wild beast" who raped Sarah's mother, and compare his blackness to the mother's whiteness. Funnyhouse of a Negro - Play. [7], Adrienne Kennedy's interest in foreign landscapes crystallized in 1960 while aboard the Queen Elizabeth to England, France, Spain, and Africa. [20] Kennedy’s play shows the vulnerability of the black woman, an experience that is still rarely represented in art and media. The one moment I think I genuinely liked in the play was Raymond's revelation at the very end of the play, which I thought evoked the humor of the best moments of absurdist theatre, rather than the bleak existential angst of the worst. Great play by African American playwright Adrienne Kennedy. The story focuses on Sarah, a young African-American poet who is obsessed with whiteness to the point that her own consciousness fractures and splinters. If you are unsure how best to edit this programme please take a moment to read it. Funnyhouse of a Negro - Play. She revises the meaning of minstrelsy through enactment of white, rather than black, representation. The conversation between the Queen and Duchess is interrupted by the woman from the opening sequence's knocking and yelling about how she should have never let a black man touch her. ", MLA Carter, Steven. [8] She got the inspiration for her characters during this trip. Adrienne Kennedy - Wikipedia Though written as a companion piece to Funnyhouse of a Negro The Owl Answers is most commonly produced with another of Kennedy's one-acts, A Beast's Story. [6] The skin tone is envisioned as "whitish yellow" or "alabaster", illustrating that "pure whiteness" is a myth. Role in the Black Arts Movement and legacy, Petrusso, A. Margaret Atwood’s Big Sequel Answers Readers’ Questions. All of Sarah's selves are dead historical figures, and Sarah is haunted by the image of her father's death and mother's plight into insanity. Adrienne Kennedy's Funnyhouse of a Negro uses many symbols to underscore the torment that Sarah feels about herself and her racial identity. A powerfully intense drama that will blow you over even in reading. Funnyhouse of the Negro demonstrates how a person can be emotionally and mentally damaged by something that did not directly involve them. "[5] He then says that her father never actually hanged himself, but rather, he is a doctor and married to a white woman, living the life that Sarah dreamed of having. The landlady says that Sarah hasn't left her room since her father's death, and that Sarah claims her father did not actually hang himself, but rather, she "bludgeoned his head with an ebony skull that he carries about with him. At the core of Funnyhouse of a Negro is Sarah's internal struggle to understand and accept her identity as an African American woman in the United States. Sarah appears in the light, "standing perfectly still, we hear the KNOCKING, the LIGHTS come on quickly, her FATHER'S black figure with bludgeoned hands rushes upon her, the LIGHT GOES BLACK and we see her hanging in the room. The play opens with a dreamlike sequence of a woman in a white nightgown with long, dark hair crossing the stage. A remarkably powerful story of the "tragic mulatto" and her internal struggle with identity. They are both bald, and express their fear surrounding the loss of hair. Happy Spring and Equinox Day! Welcome back. He also explains that Sarah's black father was given mixed messages about his identity by his parents. The play shows how black women suffer from their circumstances and that they are also susceptible to mental instability. The play's lack of plot and surrealistic elements are influenced by Kennedy's search for an expressive setting akin to dreams, inspired by her encounter with masks while living in Ghana, as well as various artistic movements of the time. [7] Sarah's "wild kinky hair" is the only part of her physicality that identifies her as black. This play has a curious structure that works like a long poem. And I believed if I didn’t complete this play before my child’s birth and … Funnyhouse of a Negro opens in front of a closed curtain; a wild-haired woman, the Mother, walks across the stage carrying a bald head in front of her. To demonstrate this internal struggle, Kennedy transforms the stage into a manifestation of Sarah's mind and uses historical figures to represent Sarah's mixed black and white ancestry. Like Beckett's plays (other than Waiting for Godot, which I love) I think I understand why Kennedy writes this as a dream play with the repetitions, divided self, and so forth. What a kick in the pants this morning! As the final scene begins, a new wall drops onto stage. Description . A white curtain opens, revealing Sarah's bedroom. She spends much of the play grappling with her feelings about her mixed ancestry; she idolizes her white mother and despises her black father. literally one of the most visceral things i've ever read, The ZORA Canon: The 100 greatest books ever written by African American women, All the Books in Well-Read Black Girl (Part 1), What Happened to Offred? In 2018 she was inducted into the Theater Hall of Fame. I have to read it again!!! Only she and Lumumba are not dressed in white; she has a white fixation and wants to become whiter and whiter. photo by Mengxuan Zhou. [3] She expresses fear of being raped by her father because she believes he raped her mother. Signature Plays: The Sandbox, Drowning, Funnyhouse of a Negro From the comical to the terrifying, three plays examine issues of body politics. Sarah's view did not meet the Black Power Movement's message By casting the white characters with black actors, Kennedy utilizes a form of reverse minstrelsy to represent Sarah's racial identity crisis.[10]. Funnyhouse of a Negro book. A fine piece of absurdist theatre. Additionally, Funnyhouse of a Negro demonstrates global citizenship from multiple perspectives: as Africans, as Americans, as women, and as women of color. Adrienne Kennedy's FUNNYHOUSE OF A NEGRO directed by Tashiyanah Hutchins (advised by Dr. Jimmy A. Noriega). The next scene contains a speech by Lumumba, a manifestation of Sarah's black self. We talked... A Black woman awakens in a phantasmagoric rooming house where she is visited by the Duchess of Hapsburg, Queen Victoria, Patrice Lumumba and Jesus Christ. Adrienne Kennedy's Funnyhouse of a Negro, "Signifyin (g) upon" racism's master trope of minstrelsy, asks fundamental social, philosophical, and ontological questions about what "race" "is," how it comes to be reified, and how the impossible absolutes of "black" and "white" come to be internalized and even naturalized onto our skins and into our bodies. [6] This is also a reminder of the miscegenated reality of blacks and whites in America. The show is rarely performed due to the extraordinary demands of the staging and the text. Thursday, November 7, 2019 - 7:30pm. Edit Submit Cancel We have produced a Style Guide to help editors follow a standard format when editing a listing. [3] This helps relay the theme of both mental and literal imperialism in the play, as Sarah's mind and body are violated by foreign elements. In Funnyhouse of a Negro, Kennedy used expressionism as a means to take the mind into social, psychological and political realms. Through Sarah is in whiteface, her "wild kinky hair" is highlighted, reminding the audience of who is beneath the mask. Funnyhouse of a negro Genres Notebooks Costume design drawings Notes Sign in to Purchase Instantly. “Funnyhouse of a Negro” shared the 1964 Obie Award with another play Hodges Persley has directed at KC Melting Pot, Amiri Baraka’s “Dutchman.” “Funnyhouse” is a one-act play that the director describes as poetic, “nonlinear” and disturbing. This may be a reason why Sarah, her mother, and Sarah's other selves all lose their hair in the play. Series II: Costume Notebooks. ", movement to sustain or rebuild ties with Africa, Actors Studio Drama School at Pace University, "eversing Blackface Minstrelsy, Improvising Racial Identity: Adrienne Kennedy's Funnyhouse of a Negro", "Funnyhouse Of A Negro. When they speak, they discuss how the father won't leave them alone. The cameo appearances in the play include Queen Elizabeth I, Shakespeare, Chaucer, Anne Boleyn, the King of France, and Chopin. In the play, the African-American identity of the main character, Sarah, is ambiguous. photo by Scott Wynn. Kennedy focuses on the obsession with whiteness and the struggle of mixed ancestry, and the audience ultimately witnesses the complete fragmentation of Sarah’s self.[3]. The Queen and Duchess embody Anglo-American culture and are a manifestation of Sarah's white self. Even a more mixed play like Sleep Deprivation Chamber I enjoyed more than th. Adrienne Kennedy’s “Funnyhouse of a Negro” — an expressionistic gem from 1964 that stages the fractured psyche of an African-American woman who hates her … Early on, critics and … Be the first to ask a question about Funnyhouse of a Negro. A fearless investigation of race, gender, and identity in a uniquely symbolic expressionism. 0. Mar 29, 2019 - Explore nikstagedoc's board "Funnyhouse of a Negro by Adrienne Kennedy Directed by Nicole Hodges Persley" on Pinterest. Tape. The play opened off-Broadway in 1964 and won the Obie Award for Distinguished Play. photo by Scott Wynn. She also went against the typical aesthetic of a black artist during the Black Arts Movement. Like Beckett's plays (other than Waiting for Godot, which I love) I think I understand why Kennedy writes this as a dream play with the repetitions, divided self, and so forth. Willa Kim designs. Funnyhouse of a Negro, by A Kennedy. This one-act just blew my mind. "Overview of 'Funnyhouse of a Negro'. At once horrifying and disorienting, Funnyhouse is an expressionistic interpretation of one woman's psychic battle to save herself and her identity. Kennedy's female perspective was a rarity for the time and the movement. They enact a conversation between Sarah and her father, in which he seeks forgiveness for being black, and Sarah asks him why he raped her mother then states how she wants to "bludgeon him with an ebony head. Members save with free shipping everyday! [5] This gives the audience an understanding of the permeability of the set, as it constantly takes on new forms for its various inhabitants. "ADRIENNE KENNEDY (1931– ). February 16th 2011 This one act play is told in 24 pages and packs a punch. "[5] The scene ends with the landlady's comments about how Sarah's hair has fallen out and how she always knew that Sarah wanted to be someone else. This search is manifested in her many selves: Queen Victoria, the Duchess of Hapsburg, Patrice Lumumba, and Jesus Christ. A Black woman awakens in a phantasmagoric rooming house where she is visited by the Duchess of Hapsburg, Queen Victoria, Patrice Lumumba and Jesus Christ. 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